CHAPTER VIII

 

LAMENTING TRAGEDY FROM

"THE OTHER SIDE"

 

DENISE M ACKERMANN

 

 

Fragments from the Truth and Reconciliation Commission

 

"Thembinkosi’s cries are still hurting me today. I want to know from the police where they took my children. Where did they kill my children?" Nohle Anna Nika-Jonas whose three sons, at the time all in high school, were taken from their shanty by police on the night of July 1, 1976.

"Just in pieces . . . pieces of him, brains, splattered all over the room". Catherine Mlangeni describing how she found her son Bheki’s body after he had been blown up by a police booby trap.

Joyce Mtimkulu, mother of Siphiwo killed by police, said she blamed former president F W de Klerk: "He must have known about it. He must have known what was going on. I have always said it was the system. I still feel very sad. I have suffered for a long time and I want to see the men who killed Siphiwo".

Cynthia Ngewu, mother of Christopher "Rasta" Piet killed by police, said her notion of reconciliation was to "restore the humanity of the perpetrators. . . . I don’t want to replace one evil with another".

"In a flash my whole youth was gone." Marina Geldenhys, victim, car bomb explosion, Pretoria, May 20, 1983.

"I must admit I cry easily." Archbishop emeritus Desmond Tutu, Chairperson of the Truth and Reconciliation Commission.

 

A CONTEXT OF BROKENNESS AND HOPE

 

The above fragments are taken from moments recorded before the Truth and Reconciliation Commission.2 Week by week for the years, South Africans witnessed the testimonies of the victims and the perpetrators of gross violations of human rights during the apartheid years on our television screens and in halls across our country. These stories have seared souls with rage, feelings of vengeance, guilt and longing. They have also evoked more memories, stories as yet untold. The process of truth-telling, truth-seeking, the need for justice and accountability, relief to have spoken the unspeakable, horror, pain and the shattering of illusions—emotions in turmoil, and the ever present longing for a new day—these are familiar realities.

The work of the Commission has taken place in a context of fragile processes of social and political transformation. Dealing with the legacies of the past is seen as necessary for the nurture of our fledgling democracy. Sadly these legacies have multiple offshoots. Violence and criminality are placing the lives of many South Africans in a straitjacket of fear and uncertainty.3 Poverty, displacement and ruptured family lives are the social reality for scores of people. Standards in school education appear to be declining, universities are under threat as subsidies are cut every year, the health and welfare services are inadequate to meet the demands of a growing population and the present HIV/AIDS pandemic, and our environment is imperilled by lack of water, denuding of the land, dumping of toxic waste and uncontrolled urbanization. There is further disenchantment as corruption scandals rock our country, as the poor perceive the new elite to be insensitive to their plight and as many politicians appear unable or unwilling to deal with our pressing social problems.

Despite the formidable task of reconstructing our nation, the miracle of April 1994 cannot be summarily erased. After years of political bargaining, we now have a bill of rights enshrined in a new constitution with a constitutional court to watch over the rights of every citizen. Our first democratically elected government is in power and most local authorities now too have their elected bodies. The Truth and Reconciliation Commission has afforded all victims of the apartheid years the opportunity to tell their stories, to weep and to rage over their losses and to seek reparation. All these events were inconceivable not long ago.

I write as a white South African woman who has lived through decades of apartheid in a multi-cultural, ethnically and religiously pluralistic society and which has known the sweet smell of democracy only very recently. This contribution begins by reflecting on the themes of difference and otherness from my particular context. Clearly South Africans have not managed to live justly and respectfully with one another across our differences. The tales told at the Commission’s hearings bear testimony to the tragedies of our past. The second half of this paper then examines what the age old custom of lament can bring to the healing of the pain in my country.

 

DIFFERENCE AND OTHERNESS

 

Few issues have exercised so powerful a hold over the thought of this century as that of ‘the other’ or what is known as ‘the problem of difference’.5 To speak of difference and otherness is immediately a problem of language. Other than whom? Different from what? Am I the norm and those who do not conform to my norm ‘the other’ or ‘different’?6 Today this problem has taken a prominent place in philosophy, theological ethics and anthropology and has penetrated deeply into our reflections on our religious practices.The theme of difference and otherness is not limited to one context. The problem of difference lies at the heart of the inability of human beings to live together in justice, freedom and peace.

As we approach the end of this millennium we can look back on a century (ironically termed ‘the Christian century’ by the modern missionary movement) in which more people have suffered and died in war and conflict than ever before in human history. "To be alive today is to live with pain. . . . We live in a world come of age, a world no longer innocent about the suffering human beings can inflict on each other," writes Rita Brock.7 Wars, sexual violence and the abuse of women and children in a myriad of ways, the terror camps of North Korea, the killing fields of Bosnia, Sudan, Rwanda and Cambodia, famine, poverty and the displacement of people, the disparity of resources between the developed and developing worlds, the systematic rape and plunder of the environment,8 and now the catastrophic affliction of AIDS; these and much more are the realities of the late twentieth century. We are a broken world, a world in crisis, an age which is difficult to name.

Dealing with difference elicits at least three problematic responses. In the first, the other is simply seen as a tabula rasa, a person with no story, no selfhood, no history. Difference is then made over into sameness. The underlying text is: "You should be like me. But, as you are not like me, remember that I am the center, the fixed point by which you and `the rest’ will be defined". This is the language of dominant power. In reality, there is no one center. There never was—except in the delusions of certain dominant philosophies and political systems.

A second response is a familiar one in today’s world. The other is experienced as a threat. The poisonous apartheid mentality of Afrikaner nationalism, the genocidal activities of the Nazis and the Hutus, the intransigent otherness of the Serbs, Bosnians and Croats, and all racist and sexist attitudes, are contemporary examples of otherness as threat. Lastly, there is a response which is manifested in two distinct yet similar ways: The other is either seen as some exotic, romantic being who does not have to be taken seriously since she or he is so different, or the other is seen as a universal category of person with no particularity. The nineteenth century western idea of the "noble savage", or the unthinking assumptions in the early days of the women’s movement that saw "women" as one large unspecified category of human beings, are examples of this kind of thinking. Against these problematic responses, the question arises: What, in fact, is meant by difference and otherness?

To speak of the other, is to speak of space, boundaries, time, difference, our bodies, cultures, traditions, ideologies and beliefs. To speak of the other is to speak of that other human being whom I may mistakenly have assumed to be just like me and who, in fact, is not like me at all. To speak of the other is to be open to otherness within myself, to the possibility of a foreigner within my own unconscious self.9 To speak of the other is to speak of poverty and justice, of human sexuality, of gender, race and class. To speak of the other is to acknowledge that difference is problematic, often threatening, even alienating and that we do not at all times live easily or well with it.10

To acknowledge and to accept difference and otherness holds out the hope of relationship. What is meant by relationship?11 Although being-in-relationships is central to our being and our well-being, it is difficult to describe. It is easier to say what relationship is not: it is neither alienation, nor apathy. It resists the ‘-isms’ which separate, like racism, classism, sexism. Relationship is what connects us to one another like the strands of a web, spinning out in ever widening circles, fragile and easily damaged, yet filled with tensile strength. We are not made to live alone. We are made to be in relationships with one another. We live out our yearning for connectedness by making relationships with one another. By being in relationships, we are shaped as individuals and as members of our communities. In the words of ethicist Beverly Harrison, "relationality is at the heart of all things".12 

There is an African saying which declares: "A person is a person through other persons".13 This articulates what is called ubuntu. This traditional African philosophy and way of life sees all of life, that is all of creation of which we humans are a part, as being sacred. Humanity is like a vast interrelated web. As John Mbiti has put it so strikingly from an Afcan world view "I belong, therefore I am".14 In this boundless human web our humanity is something which comes to us as a gift. It is found, shaped and nurtured in and through the humanity of others. We can only exercise our humanity by being in relationship with others, and there is no growth, happiness or fulfillment for us apart from other human beings.15 Finally, because of this notion of a universal human web of relationships, no one is a stranger.16 Archbishop Desmond Tutu comments:

 

A solitary human being is a contradiction in terms. A totally self-sufficient human being is ultimately subhuman. We are made for complementarity. I have gifts that you do not; and you have gifts that I do not. Voilà! So we need each other to become fully human.17

 

This idea is not foreign to European thought. It was already present in Hegel’s Phenomenology and has been developed in the twentieth century philosophies of, among others, Martin Buber, Emmanuel Levinas, John MacMurray18 and Paul Ricoeur.19 Feminist theologians such as Carter Heyward, Beverly Harrison, Elizabeth Johnson and Catherine Keller20 have also written about women’s brand of ubuntu. Yet the concept of relationship is still in striking contrast with much western individualistic thinking with its emphasis on individualism and self-sufficiency as a mark of the mature person. The move from the rational Cartesian man (and I mean "man") at the center of the universe, is yet to be completed.

 

LAMENT AND THE HOPE FOR HEALING

 

In the face of the pain and suffering caused by the inability of South Africans to deal with difference and otherness, coupled with the longing for a healed society, the age old tradition of lament offers interesting possibilities. Traditions of lament exist in a variety of religious communities. I write out of Christian background and shall focus on the background and tradition of lament in western Christianity as an important ingredient in our country’s search for healing and reconciliation.

Why lament? My interest in lament was originally aroused by the praxis of a women’s human rights organization called the Black Sash. For well neigh forty years the women of the Black Sash engaged in the work of justice, in advice offices in different parts of our country, in acts of civil disobedience, in propagating and monitoring human rights and in protesting waves of racist laws and repressive political actions. Their name was derived from the public wearing of black sashes as a sign of mourning for injustice. The sight of white women standing with their sashes, eyes downcast, at times holding punchy placards, became a familiar sight during the years of the struggle for democracy. This public lament for injustice haunted the lives of the apartheid politicians, a visible demonstration of (one of a few) pockets of white resistance to racist policies. The activities of the Black Sash earned them a generous accolade from Nelson Mandela who, in his first speech after his release from prison, called them "the conscience of white South Africans".

So why lament now? Indeed, some of us have over the years lamented the tragic consequences of apartheid. Now, however, in the aftermath of the Truth and Reconciliation Commission, the time is ripe for public liturgical acts in the interest of healing and reconciliation. The starting point for us is simply this: we shall have to confess and to lament our unwillingness to deal lovingly with neighbors who are different. Too often we stigmatize the other and thus refuse to be in relationship with her or him. The Truth and Reconciliation Commission has offered South Africans the opportunity to confess and to lament. Perpetrators of human rights abuses from all sides of the political spectrum and those of us who benefited unjustly in the past from positions of advantage, have been given the opportunity to confess and to repent. Victims have been allowed to lament, telling their stories of terror and pain.21 The place to start is with genuine confession and repentance for what we have done to ‘the other’.

Those who have survived the ravages of the last forty years and more, are faced with the fact that "the surd of destructive suffering remains".22 What is left is the hiatus between the longing for justice and the reality of suffering. Tragedy enters into this hiatus. According to Wendy Farley: "Unlike traditional theodicies, tragedy does not attempt to penetrate the opacity of evil by providing justifications for suffering. It recognizes that certain kinds of suffering are irredeemably unjust . . . a tragic sense of life burns with the desire for justice, but, unlike theodicy, burns even more with anger and pity at suffering. In tragic vision, unassuaged indignation and compassionate resistance replace theodicy’s cool justifications of evil".23

Resistance to the tragedy of suffering finds expression in the hope for healing and wholeness, and in the embracing of actions which express both an understanding of the tragic vision of life and that which counters tragedy. The search for healing is not to be seen as merely an individual quest for personal healing. Women know how difficult it is to separate the personal and the political. Our crying need is to "bind up the wounds" at every level, and for all, in different ways.

Healing is inseparable from justice-seeking. In a context with a history glutted with blatant injustices, doing justice is an inescapable priority. This raises the vexed question of perpetrators who are applying for amnesty to the Truth and Reconciliation Commission. As their atrocities are revealed, the relatives of victims experience afresh the trauma of loss and grief and, not surprisingly for some, feelings of anger and retribution. We are learning that justice is more elusive than we had thought and that the need for justice is, in this case, superseded by political compromise reached in our negotiated transition to democracy. We remind ourselves constantly that the granting of amnesty was a crucial ingredient in this negotiated settlement, one which prevented the inevitable, blood bath that stared us in the face. Nonetheless the hunger for justice remains. The moral significance of the victims anger and the desire for retribution should not be trivialized or ignored.

The quest for healing praxis is in essence the expression of the dire need for the healing of creation. Humanity’s social, political and spiritual needs are both challenged and encouraged by a theology which places the values of a healed and mended creation at its center. This is not a solitary task. For healing praxis to be truly restorative, it has to be collaborative and sustained action for justice, reparation and liberation, based on accountability and empowered by love, hope and passion. It is not the prerogative of any one group of people. It can emerge from the actions and knowledge of those who are suffering, marginalized and oppressed, as well as from those who have privilege and power, provided they too understand its genesis in the hope for a restored creation and are willing to hear the pain of the suffering of "the others" and to act in response.

Lament is, I suggest, one such response. For those who are victims, lament can be an entirely spontaneous response. For those who bear the responsibility for causing suffering, a process of coming to awareness is necessary before lament can happen. In this process, acceptance of accountability, memory, repentance, receiving forgiveness and making reparation, all play a role. These stages cannot be neatly delineated. Whites in this country ought to understand that forgiving and being forgiven are acts of mercy and that both call for profound transformation. Waiting for forgiveness is an exercise in a state of dependence, an acceptance of a kind of unfreedom. Forgiveness denied is always a possibility. But one waits nonetheless. And, whilst one waits, one laments.

 

THE NATURE OF LAMENT

 

Lament is a form of mourning. It is also more. It is somehow more purposeful and more instinctive than mourning. At times it is filled with notes of accusation and at others with contriteness and pain. Lamenting is both an individual and a communal act which signals that human relationships have gone awry. While lamenting is about past events, it also has present and future dimensions. It acknowledges the brokenness of the present because of injustice. It instinctively makes a link between healing and mourning which make new relationships possible in the future. Lament should be generous not grudging, explicit not generalized, unafraid to contain petitions and confident that they will be heard. Above all lament is never for a purpose. It is never utilitarian. Lament is an existential wail which comes from the depths of the human soul. The cry of lament, while ostensibly wrought from the human heart in situations of suffering, is filled with enigmatic energies, unbearable urges, moments both profane and sacred. It is a coil of suffering and hope, awareness and memory, anger and relief, desires for vengeance, forgiveness and healing. It is, in essence, supremely human.

Walter Brueggemann describes lament as "a dramatic, rhetorical, liturgical act of speech which is irreversible".24 It articulates the inarticulate. Tears become ideas. Brueggemann acknowledges that lamenting is risky, saying that it is "dangerous, restless speech".25 It is risky because it calls into question structures of power, it pushes the boundaries of our relationships with one another and with God beyond the limits of acceptability. It is refusal to settle for the way things are and is an action of "restless hope".26 We cannot be instructed to lament, but we can create space which allows the wailing, keening voice which is intrinsic to our humanity to emerge uncensored. Lamenting is as primal as the child’s need to cry. Yet, once the wail is articulated, the lament usually takes on a structured form. Lament is more than railing against suffering, breast-beating or a confession of guilt. It is our way of bearing the unbearable. It is a wailing of the human soul, a barrage of tears, wails, reproaches, petitions, praise and hopes which beat against the heart of God.27 

 

Lament in Antiquity

 

Prayers of lament have certainly existed from early recorded history. Lament is found at the core of rituals for both individual and communal mourning, and has been danced, accompanied by music, wailed, recited as poetry or spoken as dirges. Given the long history of lament and its many different genres,28 I want to look briefly at the form and function of lament in the ancient world and, in particular, focus on women’s role in lamenting.

Some of the earliest laments recorded are those concerned with the fall and plunder of cities and cult centers. When the great city of Ur which had long held sway over Babylonia was utterly destroyed by the Elamites in 2004 BCE, the ancient Mesopotamians lamented.29 In these ancient city laments, physical and emotional distress in the face of adversity as well as fear of divine disapproval are described. The history of a time of affliction and the theology of a people come together in moving prayers of communal lament.30

In Greece the practice of ritual lamentation is found in both ancient and medieval sources and to this day remains a part of a living folk tradition. It was and is ritual behavior intimately connected to the cycle of life and death. City laments were also common. According to Margaret Alexiou in her classic study The Ritual Lament in Greek Tradition, "perhaps for no other single event in history were so many laments composed in Greek as for the fall of Constantinople in 1453".31 Here, too, lament has both a communal and an individual nature. In communal laments a professional class of mourners, usually women, perform the rituals which express grief and loss.32

The origins and early development of lament were integral to the rituals of mourning and burial. In pre-classical Greece this is attested to in Homer’s poetry. Once again, women conduct the formal laments, both as kinswomen of the deceased and as professional mourners.33 At Hector’s death, "They put him on the carved bed, and stood singers beside him, leaders of laments, who lamented in grievous song, and the women wailed. And white-armed Andromache began their wailing" (Homer, Iliad XXIV, 720f). Homer also allows men to lament. Achilles’s grief for Patrocles is an outpouring of grief and lament in which his weeping is so loud that it is heard by his mother in the depths of the sea. After covering himself with sooty ash and tearing out his hair, the poet notes that "Achilles had taken full satisfaction in lament. . . . For no good comes of cold laments" (Homer Iliad XXIV, 5-3-524). According to Holst-Warhaft (1992:103), Homeric lament was not spontaneous but was "linked with burial as a necessary part of the . . . privileges of the dead."34 It was characterized by extravagant outpourings of grief accompanied by much wailing and is a reliable guide to understanding the way in which men and women lamented their dead in pre-classical Greece.

With the emergence of tragedy in the Athenian state in the fifth century before the common era, lament took on new forms, and changes occurred as to who could lament and how. This enduring literary art deals with the universal themes of revenge, morality and guilt, retribution, self-sacrificial heroism, death and lament. Holst-Warhaft suggests "that the state of Athens may, consciously or unconsciously, have channelled the passion of lament into its two great rhetorical inventions, the funeral speech and the tragedy".35 In tragedy, the role of lament was often assigned to the chorus. The chorus, who consisted largely of unpaid volunteers, combined music, dance and drama, and thus stood between the world of the play and the world of the audience. The role of the chorus served, therefore, "as an intermediary in universalizing the story, and in relating the tragic action to the audience’s present".36

In the earliest Greek tragedy, Aeschylus’s The Persians, performed in 472 BC, the chorus laments the Persian dead and the defeat of Xerxes. The lament in this tragedy is portrayed as so powerful that it is able to call the dead Darius back to life. Rising from his tomb, the king acknowledges this magical power: "You stood beside my tomb and lamented, and called me piteously to rise up by your laments that lead the soul" (Aeschylus, The Persians, 687-688). Interestingly this play identifies women’s lament with the barbarians, for it is the women of Persia, not Greece, who are weeping and tearing their veils. In Agamemnon, Aeschylus has the chorus shifting back and forth between being moral commentator and a body of helpless subjects lamenting their dead king. In her analysis of this tragedy, Holst-Warhaft raises the question of the dangers of excessive mourning. Clytemnestra who dominates Agamemnon, consumed with fury over the sacrifice of her daughter Iphigenia at Agamemnon’s bidding, epitomizes unleashed female power in the terrifying dirges of the Furies. Thus lament goes over into violence.37 Lament in politically volatile situations can be dangerous, as anyone who has attended the funeral of a victim of apartheid can attest to in South Africa. The danger of vengeance is also bound up with the role of women as lamenters, a connection which we shall see has consequences for the practice of lament in the Christian tradition.

Both Margaret Alexiou and Gail Holst-Warhaft point out that women’s recognized role as lamenters changed fairly dramatically in classical Greece during the time of Solon’s reforms in the sixth century before the common era. This was a time of highly inflammable blood feuds between families. Public lamenting could stir up feelings of vengeance. The new state required order, not chaos, cooperation not vengeance. Traditionally lament was expressed by pulling hair, lacerating cheeks and beating breasts. Such behavior could amount to a social menace and disturb the public order. Although Solon did not do away with these gestures entirely, he restricted them. Women under sixty were, for instance, no longer allowed to lament unless they were related to the dead person and no women were allowed to beat themselves raw.38 Women were hard hit by these changes. They were singled out in the new restrictions and their roles were radically challenged. Women as public makers of lament were consequently devalued in classical Greece. Ritual lament was gradually transferred from the clan cults to the state cult and the political nature of orations at funerals was confirmed because they were delivered by a representative of the state.39 Lament was tamed in service of the state.

It is not easy to assess how effective these curbs were. The relationship between ritual and lament showed a change in emphasis from grander public lamentation to a more personal kind of lamentation at the tomb of the deceased. But funerals never became purely private affairs and thus in the rural areas where restrictive legislation did not penetrate to the same extent as in the cities, for a long time the tradition of lament continued much as it had always done, in some cases even until present times. But as a professional class, women lamenters with their particular gifts of poetry and songs for the dead, were no longer at center stage as the makers of lament. It is interesting to note that in a patriarchal society lamenting gave women, who already had control over birth as midwives, a temporary control over the rites concerned with death.

Holst-Warhaft adds a further interesting perspective to the restrictions on women lamenting in classical Greece. Lamenting focused on actual mourning rather than on praise of the dead. A state which is dependant on a volunteer army of obedient men who, prepared to make sacrifices for their country, needs some means of recording their heroic feats.40 The tension between private and public burials can only be resolved when the state can convince families, and particularly mothers, that the glory of dying for country outweighs their private grief. In South Africa, on the one hand, the apartheid state managed to convince many grieving white mothers of this kind of warped patriotism. However, no outlet for their grief existed in their controlled brand of western Christianity. On the other hand, black funerals became highly politicized occasions for expressing opposition to white minority rule. They also afforded a momentary outlet for the grief and anger of the oppressed.

I suspect that what is stake here is the issue of power as control. Weeping, wailing women communicating emotions of grief, mourning and loss are not easily controlled and can thus be seen as a threat to the state’s ability and power to preserve order. In western societies women are considered to be more emotional than are men. Is this view derived from the fact that women have a history of being the public lamenters? Or is it undergirded by stereotypes of how women and men ought to be, stereotypes which usually serve the purposes of those in control? Arguably it is more expedient to both project emotions of grief onto women and to allow their bodies occasions on which to express a kind of collective mourning, while the men get on with the ‘real’ business of governance.

Once again the strange notion in western thought surfaces, that emotion stands in opposition to reason. So often we hear of a distinction between the affective and the cognitive, between feeling and thinking. Emotions are viewed as being more ‘bodily’ than are thoughts. Overt bodiliness is not considered to be proper to worship. Marking behavior as ‘improper’ grants the power of definition and eventually of control to those doing the labelling.

 

LAMENT IN ANCIENT ISRAEL41

 

As part of the ancient near eastern world, Israel also lamented. The powerful tradition of lament in ancient Israel continues into the practices of modern Jewry. People with faith in a caring God have yet to find a satisfactory answer to the problem of suffering in the world. The ancient Jews were no exception. But there is much to learn from them about how to relate to God in the face of suffering and grief.

In Israel where lament, according to Claus Westermann, is "the chief component of prayers in the Old Testament", national as well as personal disasters and suffering were lamented".42 Undoubtedly all lament has a history and is rooted in experiences of suffering. From the time of leaders like Moses and Joshua, through the lamentations on the fall of Jerusalem, to the lament of the people in exile in Second Isaiah, Israel spoke out in complaint against God.43 When Moses, Samson, Elijah, David, Jeremiah, Job or the psalmists raised their voices, they did so in different times, contexts and literary forms. Despite these differences, Westermann argues that all biblical laments have three basic elements: "The one who laments, God, and the others, i.e., that circle of people among whom or against whom the one who laments stands with a complaint".44

Israel’s tradition of lament was an exercise in what Brueggemann calls "enormous chutzpah". These ancient people simply refused to settle for things as they were and held onto their faith that God could and would transform unbearable circumstances. It was, indeed, God’s responsibility to do so as part of the covenant. This is bold and risky theology but it is one which holds restlessness and hope, protest and praise in tension. Brueggemann points out that Moses’s bold faith enables him to throw down the gauntlet to God and he dares to pray that if God will not forgive the sin of the people, God may "blot me out of the book that you have written" (Ex. 32: 32). This indeed is risky faith. It can also be pretty bleak. In Ps. 88, for instance, "the most dangerous, unresolved, and perhaps hopeless of all the laments" Brueggemann (1985:403) , there is "an unmitigated accusation against God". The speaker, "one of those whom you remember no more", speaks from "the depths of the pit in the regions deep and dark" intoning relentless despair, unintimidated by the fact that, although there may be no resolution, God must be drawn into the circle of suffering.45

In one of the most poetic laments in the scriptures, David laments the slain Jonathan and Saul, "Beloved and lovely! In life and in death they were not divided: they were swifter than eagles, and they were stronger than lions. O daughters of Israel, weep over Saul" (II Sam 1:23-24a). Jeremiah in his passionate pleas, both for himself and for his people as they face impending disaster, does not hesitate to accuse God of having seduced him and made him a laughing stock (Jer.20:7). But he also calls for God’s retribution, challenging God to be present, now in the time of trial. It is in the story of Job that the lack of substance of the kind of theology which always legitimates life’s trials is revealed. Job, through terrible circumstances which are much lamented both by him and his friends, finds the courage, in Brueggemann’s (1985:405), words, "to stand in the face of the Holy One and force issues in new directions".46 By refusing to accept his friends conventional arguments that he is the cause of his own suffering, Job raises his voice of pain into an authentic and mature partner in the making of theology and shows that God’s order can be "addressed, assaulted, impinged upon, and transformed".47

The women of Israel also lament. According to Jeremiah, Rachel’s voice is raised in Ramah in lament for her lost children. Hannah laments her barrenness which she calls her ‘affliction’ with prayer and fasting and bargains with God for a son (1 Sam. 1). Her crisis is rooted in God’s action: "The Lord had closed her womb" (1 Sam. 1:5). Her lament is directed at God who is both part of her problem as well as the recipient of her complaint. At the same time she is faced with an enemy, Peninnah, the other wife of Elkanah, who provokes her severely. In a world in which a woman’s worth was bound up with her ability to bear children, especially sons, Hannah’s lot is bitter and full of shame and isolation.48 Her lament, in her own words, is speech which arises out of "great anxiety and vexation" (I Sam.1:16).

The professional status of women as lamenters is alluded to by the prophet Jeremiah. Faced with the destruction of Jerusalem, Jeremiah records God calling for "the mourning women to come; send for the skilled women to come; let them quickly raise a dirge over us" (Jer.9:17,18a). These women were professional mourners who generally followed the bier of the deceased, lamenting the person’s death in elegiac measures. Reading this text from a feminist biblical scholar’s point of view, Angela Bauer finds intriguing possibilities. God not only calls the women to listen, but orders them to teach (v19) about how to mourn and be dirge-singers in this time of "terror and tribulation". These women are to lead the wailing of the people. Bauer comments:

 

The requiem ends with women called to mourn, to wail in the face of Death, to sing the dirges of utter devastation in the face of the destruction of Jerusalem. At a turning point in the history of the people, a turning point in the book of Jeremiah, it is the women who embody a response to the devastation in being there and do the only wise and compassionate thing to do, to mourn themselves and teach others to grieve in the face of death.49 

 

In his inaugural lecture to the chair of poetry at the University of Oxford entitled The Lamentation of the Dead, Peter Levi commented that "There is curiously little ritual lamenting in the Bible, and for an interesting reason. Lamenting the dead has usually, perhaps always, been the role of women. The true lament is women’s poetry, and the Bible is mostly men’s".50 I agree with Levi that laments such as those mentioned above, are not common on the pages of the scriptures. Why is it that a religious rite which in all probability was pretty prevalent is so seldom mentioned in the scriptures? The clue to understanding this fact lies once again in issues of power, difference and control as well as in stereotypical views of women and their bodies which in themselves are often culturally defined. Lament, in short, was largely women’s work. As such it did not merit much attention.

Despite these reservations, what is seen of Israel’s lament can be described as candid, intense, robust, and unafraid. Those lamenting claimed the power to wring the hand of God and to disrupt accepted power relations between the people and God by claiming that their petitions were to be taken so seriously that, in doing so, God is put at risk. Nowhere is this more apparent than in the psalms.51 

 

Lamenting Psalmists

 

The psalms represent Israel’s conversation with God in a unique way. They are conversations in which anger and pain in the midst of trying circumstances stand side by side with hope for deliverance. In the psalms, Israel expresses the rawness of their experience of suffering and God’s apparent lack of intervention on their behalf.52 The extraordinary and undimmed ability of the psalms to speak to human suffering lies in the fact that, in Brueggemann’s (1974:4) words: "Israel unflinchingly saw and affirmed that life as it comes, along with joy, is beset by hurt, betrayal, loneliness, disease, threat, anxiety, bewilderment, anger, hatred and anguish".53 Israel also saw that lament and praise go hand in hand. On the one hand, the psalmists almost assault God with facts about the human condition. On the other hand, they reveal trust and confidence that God will deliver them.

There are both individual and communal psalms of lament. They both follow much the same pattern. Opening with an address to the One who is being petitioned, they then move into lament which is followed by a confession of trust, perhaps a further petition and then end with praise.54 Scholars appear unable to agree about the actual social and religious settings of these psalms of lament. Some argue that they belonged in the temple as cultic religious acts while others hold that they were sung or spoken in the home.55 Whatever the setting, lament was integral to Israel’s relationship with their God.

The psalms of communal lament are a public form of complaint against God, an expression of grief or sorrow over some calamity.56 Ferris describes a communal lament as:

 

A composition whose verbal content indicates that it was composed to be used by and / or on behalf of a community to express both complaint, and sorrow and grief over some perceived calamity, physical or cultural, which had befallen or was about to befall them and to appeal to God for deliverance.57 

 

These psalms are cries against God and against the enemies of Israel: God where are you? Why this suffering? How long? Why are you absent? These bitter cries take God to task in the midst of the people’s suffering. Laments encompass sighing, mourning, weeping, bemoaning, chanting a dirge, languishing, cursing.58

Although not as numerous as the psalms of individual lament, these communal laments show how a people can unite through the experience of hurt, anger, loss. They are important because they move people of faith from private grief to articulate concerns and pain which are shared. In times of social disruption, the psalmist recounts the people’s distress: "By the rivers of Babylon—there we sat down and there we wept when we remembered Zion" (Ps. 137:1). Recalling the reason for their exile, the psalmist cries out: "O God, the nations have come into your inheritance; they have defiled your holy temple; they have laid Jerusalem in ruins" (Ps. 79:1). Communal lament can be both a political and a religiously subversive act. By expressing profound doubt at the accepted ways of understanding human suffering, namely that it is deserved, the psalmists subvert accepted meanings and cry out for deliverance.

Approximately a third of the psalms are devoted to lament of the individual.59 These psalms of personal suffering have a less pronounced structure than the psalms of communal lament.60 Here complaint against God is not dominant. In these psalms the voice of personal affliction, of a sense of forsakenness in situations of personal crises, is heard. Instead of asking for a way out in a positive sense, these individual laments often petition God in a negative way. "Do not hide your face from me, Do not turn your servant away in anger . . . Do not cast me off, do not forsake me" (Ps. 27:9). Needs are described and hearts are poured out before God. The nature of enemies as well as personal feelings of disgrace are also causes for complaint. In these psalms relationships are in trouble and need to be made right. Brueggemann points out that unless the communal laments are placed alongside those of individual lament, biblical faith will be betrayed by being harnessed solely to serve private needs.61 Individual prayers of lament also relate to experiences of communal suffering, which in turn feed back into our individual prayers.

The psalms of lament combine two elements which seem to stand in opposition to one another: lament and praise.62 These two moments are vastly different in tone. Lament is insistent, accusing, angry—an extravagant form of complaint and sorrow. It in effect says to God: In the face of our suffering, we insist, without embarrassment, that you honor your responsibility to right this wrong, to restore justice, and we know that you can do so. Praise in effect says: We trust you and we honor you to accomplish your just and loving ends. Praise thus follows lament. It can be a costly moment which follows on the primary act of protest and pain. This blend of lament and praise in the prayers of Israel is "a guard and a guarantee against an over polite idolatry. Such an idolatry imagines that God is fragile, delicate, and easily offended. In much of fraudulent piety, God is too nice and so our prayers must be censored".63

Combining lament and praise has powerful political implications. The voices of the people speak out, claiming the power and the authority to define reality and the fact that all is not well. At the same time their voices are subversive for they claim that the impossible is possible. God’s ability to act in this world, to right the wrongs far beyond conventional notions of the possible, is celebrated. This paradoxical blend of lament and praise is joyous rather than stoical, alive and hard won against all odds. It recognizes the fact that life is a movement from tragedy to celebration, from plea to praise, from displacement to reestablishing of self, from dispossession to recovery. Such are the extremities of human experience. Life is lived in the tension between what Brueggemann calls "exile and homecoming".64

 

WHO MAY LAMENT?

 

Traditionally and overwhelmingly lament is the prerogative of the suffering victim. This is attested to in the scriptures and in acts of lament at funerals in ancient and contemporary societies. Can white South Africans, like David, lament, from "the other side"? Can we in fact afford not to lament? Some whites all too readily "lament" the loss of past privileges while refusing to see the need for deliverance from our murky history and for healing from the wounds that perpetrators inflict on themselves as well as on others. We can lament the misuse of power and privilege, and our lack of courage in not standing up to evil and injustice. Mothers can lament for their sons, drafted into the defence force and emerging after two years, scarred and depressed, cynical or ready to leave for far shores while at the same time remembering other mothers whose sons were tortured, imprisoned, killed and exiled in the cause of the same ideology of white power

I want to suggest that public lament for the injustice and the torments of the past is a potentially healing way of responding to the past. By stressing the public nature of lament, I am suggesting that such lament should be expressed communally as a liturgical act. It will have to be preceded by public acts of repentance. At the same time, however, lamenting publicly calls for individual hearts which are weeping and raging, seeking a response from God. The very nature of lament is profoundly spiritual and profoundly political. Remorse, anger, the need for accountability and justice, combine as we contend with God. Ever present in the lament is the hope for a better day.

 

CONCLUSION

 

How and where are we to lament? Given the limited mandate of the Truth and Reconciliation Commission and the understandable constraints imposed by the very nature its mammoth task, the ethical clamor for justice will not go away.65 Neither will the need to speak the anger, pain, fear, remorse and guilt. There is much to lament—the loss of dear ones, the destruction of young lives, the loss of justice, the loss of our humanity, vision and faith. For whites this will be a process that begins with awareness, acceptance of accountability, repentance, confession. ‘Whites’ is not a monolithic category or people. We too are divided by experiences of difference and otherness. Yet all whites need to lament.

We have no public forums for lament. We will have to find spaces in which to lament where groups of people who are prepared to go through the processes that lead to reconciliation can create their own liturgies for lamenting together. Often suffering isolates its victims. Solidarity and real understanding can ameliorate feelings of isolation. "Sympathetic knowledge enables compassion to participate in suffering, mediating courage and love to the sufferer".66 Dorothee Söllebelieves that suffering is transformed through communication and solidarity:

 

The way leads out of isolated suffering through communication (by lament) to the solidarity in which change occurs. . . . By giving voice to lament one can intercept and work on his suffering within the framework of communication. . . . That sort of thing is conceivable only in the context of a group of people who share their life—including their suffering—with one another. One of them can then become the mouth for others, he can open his mouth "for the mute" (Prov. 31:8).67

 

Just as holocaust museums or memorials for the dead are places for pilgrimage where people can gather publicly to remember, to mourn and to lament, South Africans can now make our own places to lament the years when difference and otherness were the cause of so much tragedy. Perhaps we need a memorial to the victims of apartheid with a Book of Lament which records the names of the victims and which can be signed by both those who knew the pain of oppression as well as by those who repent of being oppressors. Such a record can also serve as a salutary reminder of our history should we ever be tempted in the future to elevate difference and otherness again to a canon of exclusion and so destroy our fledgling civil society.

Religious institutions can also offer space for lament. In the Christian tradition, liturgical leaders will have to be convinced of the necessity for lament. These leaders are still overwhelmingly male. History testifies to the fact that men in authority may not be wholly comfortable with the practice of lament. Will the clerical dominance of ritual not be threatened by a lamenting congregation? And may this threat not be exacerbated by women leading the lament? Yet, the liturgy can offer a framework, a ‘safe space’, within which people can lament while at the same time the structure of the liturgy can contain lamenting which becomes too prolonged, thus offering reassurance to congregants who are as yet nervous of the practice. This of course raises the specter of a domesticated lament. Can real lament be contained lament? Have existing liturgical traditions anything to offer lamenting hearts? Traditional liturgies are not without elements of lament. In liturgical churches, confession of sin, reading of psalms, words of judgment and praise, and communal prayers are moments which can embody lament. Only a slight shift in emphasis is needed to rivet attention on the sublime ambiguity of lamenting hearts which praise God. In churches with less formal and more flexible liturgical traditions, members can be encouraged to bring their own prayers and songs of lament for inclusion in worship services. In all cases the need to lament can only emerge in communities in which the communal longing for healing is compelling enough to allow pain, anger and loss to be articulated while contrite hearts speak words of repentance.

Finally, public lament can start with the voices of women and marginalized and oppressed people telling their stories, daring to rage and wrangle with God, questioning doctrines of faith that glorify suffering, resisting further pain and calling on God to act, forgive or restore. Modern women’s desire to lament is no different from those women in antiquity who led the lament. The women in Jeremiah or those who followed Jesus carrying his cross to Golgotha "beating their breasts and wailing for him" (Lk 23:27), or those who today stand at the open grave of a child, all need to lament.

 

A voice is heard in Ramah,

lamentations and bitter weeping.

Rachel is weeping for her children;

she refuses to be comforted for her children,

because they are no more.

 

Jeremiah 31:15

 

Rachels abound in South Africa. Once we drench Ramah in lamentations and tears, we may, like the psalmists, find words of hope.

 

NOTES

 

1. See also Denise M Ackermann, "On hearing and lamenting: Faith and truth-telling," in H. R. Botman and R. M. Petersen (eds.), To Remember and to Heal: Theological and Psychological Reflections on Truth and Reconciliation. (Cape Town: Human and Rousseau, 1996); "`Take up a taunt song’: Women, Lament and Healing in South Africa," in Leny Lagerwerf (ed.), Reconstruction: The WCC Assembly Harare 1998 and the Churches in Southern Africa. (Zoetermeer: Meinema, 1998).

2. This Commission was set up in 1996 with the threefold task of investigating human rights abuses during the apartheid era, determining reparations for the victims of gross human rights violations and granting amnesty to perpetrators of human rights abuses.

3. According to the World Health Organization, the incidence of violent death in South Africa—57 per 100,000 people—is now the highest in the world (Cape Times, May 13, 1996).

4. The discussion in this section contains extracts from an article by me entitled "Becoming Fully Human: an Ethic of Relationship in Difference and Otherness," Journal of Theology for Southern Africa, 102, 13-28.

5. Jacob Neusner, "Thinking about `The Other’ in religion: It is necessary, but is it possible?" in Lectures in Judaism in the History of Religions (Atlanta: Scholars Press, 1990), p. 17 writes: "The single most important problem facing religion for the next hundred years . . . is . . . how to think through difference, how to account, within one’s own faith and framework, for the outsider, indeed for many outsiders".

6. See Collette Guilaumin, Racism, Sexism, Power and Ideology (London: Routledge, 1995), p. 250 who points out that "difference comes form a Latin verb (fero) which means `to carry’ ,`to orient’. Dif-ference adds the idea of dispersion (di) to this orientation; we say `to differ from’. What is important is the little from. . . . The kernel of the meaning is the distance from a center, the distance from a referent (still fero)."

7. Rita Nakashima Brock, Journeys by Heart: A Christology of Erotic Power (New York: Crossroad, 1988), p. 1.

8. See Denise M. Ackermann and Tahira Joyner, "Earth-healing in South Africa: Challenges to Church and Mosque," in R. R. Ruether (ed.), Women Healing Earth: Third World Women on Ecology, Feminism, and Religion (Maryknoll: Orbis Books, 1996).

9. See Julia Kristeva, Strangers to Ourselves, tr. L. S. Roudiez (New York: Columbia University Press, 1991).

10. M. Shawn Copeland, "Difference as a Category in Critical Theologies for the Liberation of Women," in E. S. Fiorenza and M. S. Copeland (eds.), Feminist Theology in Different Contexts, Concilium 1996/1 (London: S.C.M. Press, 1996), p. 143 writes: "Difference insinuates not merely variance, but deviation, division, discrepancy, discord, incongruity, incompatibility, inconsistency, anomaly, contrariety, aberration and misunderstanding". She adds: ". . . difference carries forward struggle for life in its uniqueness, variation and fullness; difference is a celebrative option for life in all its integrity, in all its distinctiveness".

11. See Ruthellen Josselson, The Space between Us: Exploring the Dimensions of Human Relationships (San Francisco: Jossy-Bass Publishers, 1992), pp. 2-3, where she observes that the word ‘relationship’ has become hackneyed. "When people speak of ‘having a relationship’, they are usually referring to a sexual partnership. Relationships are to be ‘had’ rather than "created in the flow of intention, action and response between people". See also pp. 4-10 where she sets out eight dimensions of relatedness which form the core of her book.

12. Beverly Wildung Harrison, Making the Connections: Essays in Feminist Social Ethics, ed. by Carol S. Robb (Boston: Beacon Press, 1985), p. 15. See also the work of the Stone Center in regard to the "self-in-relation": Jean Baker Miller, "The Development of Women’s Sense of Self" and Janet L. Surrey, "The `Self-in-Relation’: at Theory of Women’s Development," both in Judith V. Jordan, Alexandra G. Kaplan, Jean. B. Miller, Irene P. Shriver and Janet L. Surrey, Women’s Growth in Connection: Writings from the Stone Center (New York: Guilford Press, 1991), pp. 11-26, 51-66. Apart from feminist theorists and theologians who have propagated the idea of relationship as central to our understanding of being human beings in communities, a concern for community has also been the focus of recent writings by men. See Christian ethicists, Larry Rasmussen, Moral Fragments and Moral Community: A Proposal for Church and Society (Minneapolis: Fortress Press, 1993) and Stanley Hauerwas, A Community of Character: Toward a Constructive Christian Ethic (Notre Dame: University of Notre Dame Press, 1981), and the historical/sociological critique of American Society in Robert Bellah, Habits of the Heart (Berkeley: University of California Press, 1986), as well as the moral philosophy of Alasdair MacIntyre, especially his After Virtue: A Study in Moral Theory (Notre Dame: University of Notre Dame Press, 1981).

13. Umuntu ngumuntu ngabantu.

14. Quoted from Luke L Pato, "Family and Human Sexuality from the Perspective of an African World-view," unpublished paper presented to pre-Lambeth discussion group, October 1995.

15. A critique of ubuntu among some African intellectuals is that it can have the effect of "levelling" people to one accepted norm which can stifle individuality.

16. For a discussion on ubuntu and seriti (force, power) which enable us to live in relatedness, see also Augustine Schutte, "Umuntu ngumuntu ngabantu: An African conception of humanity," in P. J. Hartin, B. F. Connor, P. B. Decock (eds.), Becoming a Creative Local Church: Theological Refections on the Pastoral Plan, a project commissioned by the Catholic Theological Society of Southern Africa (Pietermaritzburg: Cluster Publications, 1991), pp. 185-200.

17. Desmond Tutu, An African Prayer Book (New York: Doubleday), p. xiv.

18. In the early 1960’s, the Scots philosopher John MacMurray attempted to offer a counter to modern European philosophy’s preoccupation with the self understood primarily as a thinker, inactive in the world. In Persons in Relation (Atlantic Highlands, NJ: Humanities Press International, 1991), p. 28, he formulates his basic thesis: "I exist as an individual only in a personal relation to other individuals." We can isolate ourselves from others intentionally so that our relation to others becomes impersonal. In consequence I can, as MacMurray points out, treat you as object, refusing the personal relationship. This is what torturers do to their victims—making them objects in an impersonal relationship and refusing to `know’ the victims. We can only know other persons by entering into a relationships with them.

19. Martin Buber, I and Thou (New York: Scribner and Sons, 1958); Ricoeur, Oneself as Another; Levinas, Totality and Infinity.

20. See Isabel Carter Heyward, The Redemption of God: A Theology of Mutual Relation (Lanham: University of America Press, 1982); Beverly Wildung Harrison, Making the Connections: Essays in Feminist Social Ethics, ed. By C. S. Robb (Boston: Beacon Press, 1985); Elizabeth A. Johnson, She Who Is: The Mystery of God in Feminist Theological Discourse (New York: Crossroad, 1994); Catherine Keller, From a Broken Web: Separation, Sexism, and Self (Boston: Beacon Press, 1986).

21. See Antjie Krog, Country of my Skull (Johannesburg: Random House, 1998) in which the author, a white Afrikaner woman, documents two years of reporting on the TRC.

22. Wendy Farley, Tragic Vision and Divine Compassion: A Contemporary Theodicy (Louisville, Ky: Westminster/John Knox Press, 1990), p. 22.

23. Farley, Tragic Vision, pp. 22-23.

24. Walter Brueggemann, "The Shape for Old Testament Theology: 11 Embrace of Pain," The Catholic Biblical Quarterly, 47, 400.

25. Ibid., 401.

26. Ibid., 402.

27. See Dorothee Sölle, Suffering (Philadelphia: Fortress Press, 1975), pp. 70-74 for her description of the phases of suffering which include lament.

28. See Paul W. Ferris Jr., The Genre of Communal Lament in the Bible and the Ancient Near East (Atlanta: Scholars Press, 1992) p. 9, for a working definition of the term "genre".

29. See also Samuel N. Kramer’s critical study, Lamentation Over the Destruction of Ur (Chicago: University of Chicago, 1940). According to Ferris, The Genre, pp. 21-25, there are six distinctive Sumerian city-laments, the three major include the above mentioned lament, "Lamentation over the Destruction of Ur" and "Lamentation over the Destruction of Nippur". See also Ferris pp. 25-28, 48-50.

30. This insight, attributed to the Sumerologist Thorkild Jakobsen, was made at a Jewish Christian dialogue held at Harvard Divinity School in 1965 and related to me in conversation with Krister Stendahl in November 1996.

31. Margaret Alexiou, The Ritual Lament in Greek Tradition (Cambridge: Cambridge University Press, 1974), p. 86.

32. Alexiou (1974:6) points out that on Attic and Athenian funerary plaques and vases detailed pictures of lament are found of women acting as professional mourners.

33. Gail Horst-Warhaft, Dangerous Voices: Women’s Laments and Greek Literature (London: Routledge, 1992), pp. 113-114.

34. Ibid., p. 103.

35. Ibid., p. 6.

36. T.B.L. Webster, The Greek Chorus (London: Methuen, 1970), pp. 114, 127. For further insights, see Peter D. Arnott, Public Performance in the Greek Theater (London: Routledge, 1989), p.34 and Arthur Pickard-Cambridge), The Dramatic Festivals of Athens, 2nd ed. (Oxford: Oxford University Press, 1968), pp. 86-91.

37. Horst-Warhaft, Dangerous Voices, pp. 137-141.

38. Dorothy M. Koonce, "Formal Lamentation for the Dead in Greek Tragedy," (Ph.D. thesis, University of Pennsylvania, 1962), pp. 4,6.

39. Alexiou, The Ritual Lament, p. 19.

40. Holst-Warhaft, Dangerous Voices, pp. 3-4.

41. Scholars have debated the issue whether Israel’s laments are essentially different from those of their surrounding cultures. Patrick D. Miller, They Cried to the Lord: The Form and Theology of Biblical Prayer (Minneapolis: Fortress Press, 1994), pp. 29-31 warns against seeking false dichotomies in lament in religions which are essentially polytheistic and Israel’s monotheism. Although not precisely identical there is, according to Miller, an high degree of formal similarity. Ferris (1992) in his comparative study between lament in the Hebrew and Mesopotamian cultures concludes that Hebrew laments show a cultural dependence on the common oriental culture of their times. See also S. N. Kramer, "A Sumerian Lamentation. (The Lamentation over the Destruction of Ur)," in J.B. Pritchard, Ancient Near Eastern Texts Relating to the Old Testament (Princeton: Princeton University Press, 1969), p. 455-463 and the work of Geo Widengren, The Accadian and Hebrew Psalms of Lamentation as Religious Documents: A Comparative Study (Stockholm: Bokförlags Aktiebolaget Thule, 1937).

42. Claus Westermann, Lamentations: Issues and Interpretations, tr. C. Meunchow (Minneapolis: Fortress Press, 1994), p. 94.

43. The Hebrew kinah is the technical term for the lament for the dead.

44. Claus Westermann, Praise and Lament in the Psalms, tr. K.R. Crim and R.N. Soulen (Atlanta: John Knox Press, 1981), p. 169.

45. Brueggemann, "The Shape," 402-403.

46. Ibid., 405.

47. Ibid., 406.

48. Miller, They Cried, p. 237.

49. Angela Bauer, "Tracking Her Traces: A Literary-Theological Investigation of Gender in the Book of Jeremiah" (Unpublished Ph.D. thesis, Union Theological Seminary, 1993), ch. 3.

50. Peter Levi, The Lamentation of the Dead with the Lament for Arthur O’Leary by Eileen O’Connell, tr. E. Dillon, inaugural lecture as professor of poetry in the University of Oxford, given on 25 October 1984 (London: Anvil Press Poetry Ltd., 1984), p. 11.

51. For earlier scholarship on the psalms which informs the work of both Claus Westermann and Walter Brueggemann, see the historical critical scholarship of Hermann Gunkel and Joachim Begrich, Einleitung in die Psalmen: Die Gattungen der religiösen Lyrik Israels (Göttingen: Vandenhoeck und Ruprecht, 1928, 1933). See also Sigmund Mowinckel, The Psalms in Israel’s Worship (Oxford: Basil Blackwell, 1962) who worked on establishing a religio-cultural framework for understanding the psalms.

52. Walter Brueggemann, The Psalms and the Life of Faith (Minneapolis: Fortress Press, 1995), p. 43.

53. Walter Brueggemann, "From Hurt to Joy, from Death to Life," Interpretation 28, 1974, 4.

54. Westermann, Praise and Lament, pp. 52-55, 64-71.

55. See Mowinckel 1962, The Psalms and Hans Schmidt 1928. Das Gebet der Angeklagten im Alten Testament, BZAW 40 (Giessen: Alfred Töpelmann), who argue for lament in the temple setting. See Erhard Gerstenberger, Der bittende Mensch: Bittritual und Klagelied des Einzelnen im Alten Testament, WMANT 51 (Neukirchen-Vluyn: Neukirchener Verlag, 1980) who suggests that lament took place in the home.

56. For communal lament see Ps. 44, 60, 74, 79, 80, 83, 89.

57. Ferris, The Genre, p. 10.

58. Ibid., p. 109.

59. For individual lament see, Ps. 6, 13, 22, 27, 35, 38, 42, 43, 88, 102, 109.

60. Westermann, Praise and Lament, p. 178.

61. Walter Brueggemann, The Message of the Psalms: A Theological Commentary (Minneapolis: Augsburg), p. 68.

62. See Michalowski, The Lamentation, pp. 43, 45, 49, 69. Here lament and praise also occur together. The lamenting goddess cries "Alas, the destroyed city, my destroyed temple", describes orchards "scorched like ovens" and ends in affirmation "O Nanna, your kingship is sweet, return to your place! May a good abundant reign be long lasting in Ur!".

63. Brueggemann, The Psalms, p. 58.

64. Ibid., p. 32.

65. Abraham Heschel (in Farley 1990:82) remarks, "Justice dies when dehumanized no matter how exactly it may exercised".

66. Farley, Tragic Vision, p. 81.

67. Dorothee Sölle, Suffering, tr. E. R. Kalin (Philadelphia: Fortress Press, 1975), p. 74.