CHAPTER III

FREEDOM AND CULTURAL TRADITIONS

 The Basis of Values and Peace in a Time of Change

GEORGE F. McLEAN

 

As we come to the close of the 20th century, the turn of the millennium calls for and augurs profound changes. The last millennium has been characterized by an intensive development of human reason. In the West this began in 1000 AD with the reintroduction of the work of Aristotle and was radicalized from 1500 by the age of rationalism and enlightenment. This now has borne its fruits, which in the last century have been both sweet in the improvement of living standards and the emancipation of peoples, and bitter in devastating ideological conflicts both hot and cold.

Now, however, the peoples of the world seem to be moving beyond rationalism to a great project of social reconstruction. This focuses no longer on ideologies and structures, but on people in their natural communities and solidarities, in an effort to become increasingly creative and to take responsibility for their lives. This is, in a way, the utopian vision of Marx as people achieve the conditions of freedom and begin with others to shape their common life after the classical ideals of justice and peace, harmony and cooperation. As a result the focus of attention reaches beyond the political and the economic to include the people. Now, however, they appear no longer as amorphous masses or tools of industry, but as informed and responsible human solidarities acting responsibly, each in its own field. This is the reality called civil society or civil culture emerging as a newly vibrant reality which promises to characterize a post-modern, more globally sensitive, third millennium.

In order to understand this development and how it can be appropriately promoted we will first look back to Aristotle to understand the place of freedom as basic to community; second, consider how this might be redeveloped in ways which surpass the reductionist structures of modern rationalism by taking into account also the more integrative categories of culture and aesthetics, and third face the challenge of how this can provide the normative power needed to weld people together responsibly in a unity that is truly civil both in its members and in their mode of exercising their freedom.

CIVIL SOCIETY AS EXERCISE OF FREEDOM

Aristotle begins his politics, not historically, but by thematically delineating the elements in which political life consists.1 Both however bring us to the same point, namely, that to be political means to govern and be governed as a member of a community. Most properly the political bespeaks governance or directive action toward a goal. This involves both the source and the goal of governance.

First, governance is expressed by the term arché, signifying beginning, origin or first source. This is extended to governance in the sense of sovereignty, that is, of directing the community toward a good or a goal while not oneself being necessitated by others. The focus then is not on autocratic imposition of self-serving will, as commonly has been interpreted but the beginning or origin of social action, which takes responsibility for the overall enterprise as characteristically human; it is the exercise of freedom by individuals and groups in originating responsible action. Though most actions of humans at the different inorganic and organic levels can be performed by other physical realities, it is precisely as these actions are free that they become properly human acts. This issue of corporate directive freedom — its nature and range — is then the decisive issue as regards civil society. How this can be exercised effectively today is the key to the development of civil society for our times.

The second dimension of the issue of governance in Aristotle is its end, goal or purpose. This is indicated in what many have seen as a correction of his evaluation of types of governance. His first classification of modes of government had been drawn up in terms of the quantity of those who shared in ruling. When ruling is seen as a search of material possessions or property, this tends to be an oligarchy; rule is by the few because generally only a few are rich. Democracy, in contrast, is rule by the many who are poor.2 Aristotle needed to improve on this basically quantitative division founded empirically on the changing distribution of property, for conceptually there could be a society in which the majority would be rich. Hence, he came instead to a normative criterion, namely, whether governance is exercised in terms of a search not for goods arbitrarily chosen by a few out of self-interest, but for the common good in which all can participate.3 In this light governance has its meaning in terms of the broader reality, namely, the community (koinonia) which comes together for the happiness or the good life of the whole. Community supposes the free persons of which it is composed; formally it expresses their conscious and free union with a view to a common end, namely, the shared good they seek.

The polis is then a species of community. It is a group which as free and self-responsible joins in governance or in guiding efforts toward the achievement of the good life. In this way, Aristotle identifies the central nature of the socio-political order as being a koinÇnia politika or "civil society".

Civil society then has three elements. First there is governance: arché, the beginning of action or the taking of initiative toward an end; this is the free and responsible exercise of human freedom. But as this pertains to persons in their various groups and subgroups, there are two other dimensions of freedom, namely, communication or solidarity with other members of the groups and the participation or subsidiarity of these groups or communities within the whole. The key to understanding civil society lies then in the solidarity and subsidiarity of the community as ways in which the freedom of its members is shaped into the governance of life toward the common good.

Solidarity and Community

Through time societies have manifested in increasing diversity of parts; this constitutes their proper richness and strength and brings quantitative advantage. It is important that the parts differ in kind so that each brings a distinctive concern and capability to the common task. Further, differing between themselves, one member is able to give and the others to receive in multiple and interrelated active and receptive modes. This means that the members of a society not only live their freedom alongside each other, but share in the effort to realize the good life through the mutual interaction of their freedom.

Aristotle develops this theme richly in "On Friendship", in Book IX, 6 of his Nicomachean Ethics, stressing that the members of a civil society need to be of one mind and heart for the common weal.4 Such solidarity of the members of society is an essential characteristic. Plato used the terms methexis and mimesis or participation for this, but Aristotle feared that if individuals were seen as but another instance of a specific type persons would lose their reality. Hence, he used the term `solidarity’ which recognizes the distinctive reality of the parts.

In the human body, where there is but one substantial form, the many parts exist for the whole and the actions of the parts are actions of the whole (it is not my legs and feet which walk; I walk by my legs and feet). Society also has many parts whose differentiation and mutuality pertain to the good of the whole. But in contrast to the body, the members of a community have their own proper form, finality and operation. Hence, their unity is one of the order of their capabilities and actions to the perfection of the body politic or civil society and the realization of its common good.

Aristotle does not hesitate to state strongly the dependence of the individual’s exercise of freedom on the community in order to live a truly human life, concluding that the state is a creation of nature prior to the individual.5 Nevertheless, in as much as the parts are realities in their own right outside of any orientation to the common good of the whole, society ultimately is for its members, not the contrary.

Subsidiarity and Community6

But there is more than solidarity to the constitution of civil society. Community in general is constituted through the cooperation of many for the common goal or good, but the good or goal of a community can be extremely rich and textured. It can concern nourishment, health maintenance, environmental soundness; it includes education both informal and formal, basic and advanced, initial and retraining; it extends to nutrition, culture, recreation, etc. — all the endless manners in which human beings fulfill their needs and capacities and seek "the good life". As each of these can and must be sought and shared through the cooperation of many, each is the basis of a group or subgroup in a vastly varied community.

When, however, one adds the elements of freedom as governance (arché) determining what will be done and how the goal will be sought, subsidiarity emerges into view. Were we talking about things rather then people it would be possible to envisage a technology of mass production in a factory automatically moving and directing all toward the final product. Where, however, we are concerned with a community and hence with the composite exercise of the freedom of the persons who constitute its membership, then it is crucial that this responsible freedom not be substituted for by a command from outside or from above. Rather governance in the community initiating and directing action toward the common end must be exercised in a cumulative manner beginning from the primary group or family in relation to its common good, and moving up to the broader concerns or goals of more inclusive groups considered both quantitatively (neighborhood, city, nation, etc.), and qualitatively (education, health, religion) according to the hierarchy of goods which are their concerns.

The synergetic ordering of these groups, considered both quantitatively and qualitatively and the realization of their varied needs and potentials is the stuff of the governance of civil society. The condition for success in this is that the freedom and hence responsible participation of all be actively present and promoted at each level. Thus, proper responsibility on the family level must not be taken away by the city, nor that of the city by the state. Rather the higher units, either in the sense of larger numbers or more important order of goods, must exercise their governance precisely in order to promote the full and self-responsible action of the lower units and in the process enable them to achieve goals which acting alone they could not realize. Throughout, the concern is to maximize the participation in governance or the exercise of freedom of the members of the community, thereby enabling them to live more fully as persons and groups so that the entire society flourishes. This is termed subsidiarity. Thus civil society is a realm of persons in solidarity who through a structure of subsidiarity participate in self-governance.

This manifests also the main axes of the unfolding of the social process in Greece, namely:

(a) from the Platonic stress upon unity in relation to which the many are but repetitions, to the Aristotelian-Thomistic development of diversity as necessary for the unfolding and actualization of unity;

(b) from emphasis upon governance by authority located at the highest and most remote levels, to participation in the exercise of governance by persons and groups at every level and in relation to matters with which they are engaged and responsible;

(c) and from attention to one’s own interests, to attention to the common good of the whole.

This thought of Aristotle bore great potentiality which would unfold as the sense of being and of person were enriched philosophi-cally in the context of a Christian culture. This is marked by elements of human dignity based upon creation in the image of God and of human community in the image of the Trinitarian sharing of life as knowledge and love.

FROM ENLIGHTENMENT REASON TO AESTHETIC AWARENESS

Limitations of Enlightenment Rationalism

Today, as much is said of a post-modern global culture, there is an emerging consensus that philosophy may have overreached itself in the Enlightenment in requiring that all be subjected solely to the technical requirements of clarity before human reason. It should have been noted sooner that this requirement led almost immediately to the two contrary results of Anglo-Saxon empiricism and continental intellectualism. Together these constituted a Kantian antinomy manifesting rationalism to be reductionist, and to that degree dehumanizing.

It is essential to diagnose not the symptoms, but the illness in order to undertake the truly new project of the coming millenium. If the Enlightenment in its achievements has in the end come to prove insufficient, what did it omit which now has emerged as essential — and what new dimension of philosophy must now be developed in order to take it into account.

To see this let us return to the birth of modern rationalism. something philosophically new took place at that time. Attention moved from a concern with things in themselves, whether these be considered forms (ideas) as in Plato or physical realities as in Aristotle. Instead attention focussed upon subjectivity in the sense of human awareness and in particular upon ideas in the mind of the one who knows. What we are concerned about when thinking is ideas, notes Locke.7

Moreover, we find a new approach common to philosophers of the period. They thought it not possible to build upon the foundations laid by the millennia of human experience in its multiple forms. Instead each felt it necessary to remove all previous content of human awareness in order to build a new with clear and distinct ideas. Hence, we live the heritage of the great projects of: (a) Descartes in submitting all to doubt except, and in as much as, it could be established in terms of clear, distinct and indubitable ideas; (b) Bacon in smashing all the idols which bore the long acquired wisdom of the tradition and the broad range of human sensibilities; and (c) Locke in erasing all until there remained but the mind and that as a blank tablet. All three would construct an asceptic laboratory. In which there was allowed to enter only the clear and distinct ideas coming alternately in the Anglo Saxon tradition from the senses, or in the continental sense from the intellect. The task of the mind was to construct a new self-understanding using exclusively these materials. These new laboratory humanoids were fascinating and in many ways useful instruments. However, as became evident in the Cold War the products of these two traditions were unable to comprehend each other, not to mention peoples from non-Western culture. Possessed of great, but less than fully human, powers their potential for destruction was symbolized in their mutual threat to annihilate not only each other but all human kind. What G.B. Vico saw 70 years after Descartes, — namely, that this would generate an intellectual brute — we came to experience bitterly in the hot and cold ideological wars of the last century.

Aesthetic Awareness as A Further Dimension of the Human Spirit

All of this, together with the existential and postmodern critiques of rationalism, suggests that the task of developing a more adequate notion of civil society must be taken up, but on a new, more open and inclusive basis. To do so will require a richer notion of reason and of freedom, capable of integrating the personal dimensions of moral sensitivity in a broader sense of human life and meaning. This is suggested by the new call for civil society. But if it is to be more than a replay of the past the effort to redevelop the notion of civil society must be moved to a new level of freedom: neither to that of mere choice between alternate objects nor to that of the Kantian effort to will as one ought, but to the freedom "to be able, by a power inherent in human nature, to change one’s own character creatively by deciding for oneself what one shall do or shall become."8 It is to this, rather than the proceeding two levels of freedom, that Adler’s analysis of freedom throughout the history of philosophy adjoins political liberty and collective freedom.

In initiating the decade in which he wrote his three critiques, Kant did not have the third critique in view. He wrote the first critique in order to provide methodologically for the universality and necessity of the categories found in scientific knowledge. He developed the second critique to provide for the reality of human freedom. But when both of these had been written he could see that in order to protect and promote freedom in the material world there was need for a third set of categories, namely, those of aesthetic judgement. These integrate the realms of matter and spirit in a harmony which can be appreciated in terms not of a science of nature as in the first critique, nor of personal freedom as worked out from the second critique, but of human creativity working with all elements to create life and meaning as an expanding and enriching reality.

Kant was facing squarely a root dilemma of modern times, namely: how can the newly uncovered freedom of the second critique survive when confronted with the necessity and universality of the realm of science as understood in the Critique of Pure Reason? If held to the terms of the first two critiques alone, he faced the following challenges:

- Will the scientific interpretation of nature restrict freedom to the inner realm of each person’s heart, where it is reduced at best to good intentions or to feelings towards others?

- When we attempt to act in this world or to reach out to others, must all our categories be universal and hence insensitive to that which marks others as unique and personal?

- Must they be necessary, and, hence, leave no room for creative freedom, which would be entrapped and then entombed in the human mind? If so, then public life can be only impersonal, necessitated, repetitive and stagnant.

- Must the human spirit be reduced to the sterile content of empirical facts or to the necessitated modes of scientific laws? If so, then philosophers cannot escape forcing upon wisdom a suicidal choice between either being traffic directors in the jungle of unfettered competition or being tragically complicit in setting a predetermined order for the human spirit.

Freedom then would, indeed, have been killed; it would pulse no more as the heart of mankind.

Before these alternatives, Kant’s answer was a resounding No! Taking as his basis the reality of freedom — so passionately and often tragically affirmed in our lifetime by Ghandi and Martin Luther King — Kant proceeded to develop his third Critique of the Faculty of Judgment as a context within which freedom and scientific necessity could coexist, indeed, in which necessity would be the support and instrument of freedom.

To provide for this, Kant found it necessary to distinguish two issues, reflected in the two parts of his third Critique. In the "Critique of Teleological Judgment",9 he acknowledges that nature and all reality must be teleological. This was a basic component of the classical view which enabled all to be integrated within the context of a society of free people working according to a developed order of reason. For Kant, if there is to be room for human freedom in a cosmos in which man can make use of necessary laws, if science is to contribute to the exercise of human freedom, then nature too must be directed toward a transcendent goal and manifest throughout a teleology within which free human purpose can be integrated. In these terms, nature, even in its necessary and universal laws, is no longer alien to freedom, but expresses divine freedom and is conciliable with human freedom. The same might be said of the economic order and its "hidden hand." The structure of his third Critique will not allow Kant to affirm this teleological character as an absolute and self-sufficient metaphysical reality, but he recognizes that we must proceed "as if" all reality is teleological precisely because of the undeniable reality of human freedom in an ordered universe.

If, however, teleology, in principle, provides the needed space, there remains a second issue of how freedom is exercised, namely, what mediates it to the necessary and universal laws of science? This is the task of his "Critique of the Aesthetic Judgment",10 and it is here that the imagination reemerges to play its key integrating role in human life. From the point of view of the human person, the task is to explain how one can live in freedom with nature for which the first critique had discovered only laws of universality and necessity and especially with structures of society in a way that is neither necessitated nor necessitating.

There is something similar here to the Critique of Pure Reason where, under the rule of unity, the imagination orders and reorders the multiple phenomena until they are ready to be informed by a unifying principle, namely, one of the abstract and universal categories of the intellect.11 In "The Critique of the Aesthetic Judgment," the imagination has a similar task of constructing the object, but not in a manner necessitated by universal categories or concepts. In contrast, here the imagination, in working toward an integrating unity, is not confined by the necessitating structures of categories and concepts, but ranges freely over the full sweep of reality in all its dimensions to see whether and wherein relatedness and purposiveness or teleology can emerge and the world and our personal and social life can achieve its meaning and value. Hence, in standing before a work of nature or of art, the imagination might focus upon light or form, sound or word, economic or interpersonal relations — or, indeed, upon any combination of these in a natural environment or a society, whether encountered concretely or expressed in symbols.

Throughout all of this, the ordering and reordering by the imagination can bring about numberless unities. Unrestricted by any a priori categories, it can nevertheless integrate necessary dialectical patterns within its own free and therefore creative production, as well as scientific universals within its unique concrete harmonies. This is properly creative work. More than merely evaluating all according to a set pattern in one’s culture, it chooses the values and orders reality accordingly. This is the very constitution and ongoing development of the culture itself; it is the productive rather than merely reproductive work of the human person living in his or her physical world. Here, I use the possessive form advisedly. Without this capacity one would exist in the physical universe as another object, not only subject to its laws but restricted and possessed by them. One would be not a free citizen of the material world, but its mere function or servant. In his third Critique Kant unfolds how human persons truly can be master of their lives in this world, not in an arbitrary and destructive manner, but precisely as creative artists bringing being to realization in new harmonies which make possible further growth in freedom.

In order for the realm of human freedom to be extended to the whole of reality, this harmony must be able to be appreciated, not purely intellectually in relation to a concept (for then we would be reduced to the universal and necessary as in the first critique), but aesthetically, by the pleasure or displeasure, the attraction or repulsion of the free response it generates. It is our contemplation or reflection upon this pleasure or displeasure which shows whether a proper and authentic ordering has or has not been achieved. This is not a concept,12 but the pleasure or displeasure, the elation at the beautiful and sublime or the disgust at the ugly and revolting, which flows from our contemplation or reflection.

THE AESTHETIC AS THE NEW SPACE FOR HUMAN FREEDOM: CIVIL SOCIETY

One could miss the integrating character of this pleasure or displeasure and its related judgment of taste13 by looking at it ideologically, as simply a repetition of past tastes in order to promote stability. Or one might see it reductively as a merely interior and purely private matter at a level of consciousness available only to an elite class and related only to an esoteric band of reality. That would ignore the structure which Kant laid out at length in his first "Introduction" to his third Critique14 which he conceived not as merely juxtaposed to the first two Critiques of pure and practical reason, but as integrating both in a richer whole.

Developing the level of aesthetic sensitivity enables one to take into account ever greater dimensions of reality and creativity and to imagine responses which are more rich in purpose, more adapted to present circumstances and more creative in promise for the future. This is manifest in a good leader such as a Churchill or Roosevelt — and, super-eminently, in a Confucius or Christ. Their power to mobilize a people lies especially in their rare ability to assess the overall situation, to express it in a manner which rings true to the great variety of persons in their many groupings in a pattern of the subsidiarity characteristic of a civil society, and thereby to evoke appropriate and yet varied responses from each according to the circumstances. The danger is that the example of such a genius will be reduced to formulae, become an ideology and exclude innovation. In reality, as personable, free and creative, and under-stood as the work of the aesthetic judgment, their example is inclusive in content and application as well as in the new responses it continually evokes from others.

When aesthetic experiences are passed on as part of a tradition, they gradually constitute a culture. Some thinkers, such as William James and Jürgen Habermas,15 fearing that attending to these free creations of a long cultural tradition might distract from the concrete needs and injustices of the people, have urged a turn rather to the social sciences for social analysis and critique as a means to identify pragmatic responses. But these point back to the necessary laws of the first Critique. In many countries now engaging in reforms, such "scientific" laws of history have come to be evaluated as having stifled creativity and paralyzed the populace.

Kant’s third Critique points in another direction. Though it integrates scientifically universal and necessary social relations, it does not focus upon them, nor does it focus directly upon the beauty or ugliness of concrete relations, or even directly upon beauty or ugliness as things in themselves. Its focus is rather upon our contemplation of the integrating images of these which we imaginatively create, that is, our culture as manifesting the many facets of beauty and ugliness, actual and potential.

Freedom as social sensibility, understood not only morally but aesthetically, is both spectroscope and kaleidoscope of being. As spectroscope it unfolds the full range of the possiblities of social freedom, so that all can be examined, evaluated and admired. As kaleidoscope, it continually works out the endless combinations and patterns of reality so that the beauty of each can be examined, reflected upon and chosen when desired. Freely, purposively and creatively, imagination weaves through reality focusing now upon certain dimensions, now reversing its flow, now making new connections and interrelations. In the process reality manifests not only scientific forms and their potential interrelations, but its power to evoke our free and socially varied responses of love and admiration or of hate and disgust.

In this manner freedom exercised in terms of harmony to construct patterns of solidarity and subsidiarity becomes at once the creative source, the manifestation, the evaluation and the arbiter of all that imaginatively we can propose. It is goal, namely to realize social life as rational and free, united and peaceful in this world; it is creative source, for with the imagination it unfolds the endless possibilities for social expression; it is manifestation, because it presents these to our consciousness in ways appropriate to our capabilities for knowledge of limited realities and relates these to the circumstances of our life; it is criterion, because its response manifests a possible mode of action to be variously desirable or not in terms of a total social response of pleasure or displeasure, enjoyment or revulsion; and it is arbiter, because it provides the basis upon which our freedom chooses to affirm or reject, realize or avoid this approach to self-realization. In this way, freedom emerges as the dynamic center of the creation of civil society.

VALUES AND CULTURAL TRADITIONS AS THE CREATIVE WORK OF HUMAN FREEDOM

Our next task is to uncover how human persons in exercising this third level of freedom emerge in the communities of family, neighborhood and people and in so doing create their public life and its culture. This calls not merely for a sociological description of culture as the compilation of whatever mankind does or makes; it is rather the conscious weaving of the fabric of human symbols and interrelations through which a human group chooses to live its unique process of unveiling being in time. This requires attention to a number of specific issues:

1. the nature of values, culture and tradition;

2. the moral authority of a cultural tradition and its values for guiding life; and

3. the active role of every generation in creatively shaping and developing its tradition in response to the challenges of its times.

Cultural Traditions as the Cumulative Freedom of Peoples

If being stands against nonbeing, then living things survive by seeking the good or that which perfects and promotes their life in the sense of Kant’s third Critique and its description of the work of the imagination. A basic exercise of this third level of human freedom therefore is to set an order of preferences among the many possible goods. Those are the "preferred" or "values" in the sense that they "weigh more heavily" in making decisions than do other possible goods. Gradually, one becomes practiced in the arts of realizing and/or achieving these values, which competencies are our moral strengths or "virtues". Cumulatively, our values and corresponding virtues set a style for our action. Together the values and virtues, artifacts and modes of human interaction constitute an integrated pattern of human life in which the creative freedom of a people is expressed and implemented. This is a "culture" taken synchronically as a context in which human life can be cultivated and perfected.

"Tradition" is the further diachronic and cumulative process of transmitting, adjusting and applying the values and virtues of a culture through successive generations. It is at once both heritage or what is inherited or received, and new creation as we pass on these traditions in new ways. Tradition then is not against freedom, but is rather the cumulative freedom of a people. Attending to tradition taken in this active sense allows us not only to uncover the permanent and universal truths sought by Socrates, but: (a) to perceive the importance and proper weight of the choices or valuations made by preceding generations, and (b) actively to mobilize our own life choices toward the future. Let us look more closely at each of these.

The Moral Authority of Cultural Traditions

In the context of tradition as a people’s cumulative freedom persons emerge from birth into a family and neighborhood from which they learn, and in harmony with which they thrive. Horizontally, individuals and groups learn from experience what promotes and what destroys life, and accordingly make pragmatic adjustments through feedback mechanism. Vertically, and more importantly, they learn values, i.e. what is truly worth striving for and the pattern of social interaction in which this can be richly lived. This, rather than all that happens (history), is what is passed on (tradita, tradition). The importance of tradition derives from the cooperative character both of the learning by which wisdom is drawn from experience — even of failure — and of the cumulative free acts of commitment and sacrifice which have been defined, defended and passed on through time to form the corporate life of the community.

Through time there evolves a vision of actual life which transcends time and hence can provide guidance for our life: past, present and future. The content of that vision is a set of values which points the way to mature and perfect human formation and thereby orients the life of a person. Such a vision is historical because it arises in the life of a people in time and presents an appropriate way of preserving that life through time. But it is also normative because it provides a harmony and fullness which is at once classical and historical, ideal and personal, uplifting and dynamizing, in a word, liberating. For this reason it provides a basis upon which past historical ages, present options and future possibilities are judged.

What then should we conclude regarding the values and culture in which we have been raised, which give us dominion over our actions and enable us to be free and creative? Do they come from God or from man, from eternity or from history? To this question Chakravarti Rajagopalachari of Madras answered:

Whether the epics and songs of a nation spring from the faith and ideas of the common folk, or whether a nation’s faith and ideas are produced by its literature is a question which one is free to answer as one likes. . . . Did clouds rise from the sea or was the sea filled by waters from the sky? All such inquiries take us to the feet of God transcending speech and thought.16

The Open Creativity and Interchange of Cultural Traditions

As an active process tradition transforms what is received, lives it in a creative manner and passes it on as a leaven for the future. Taken diachronically the process of tradition as receiving and passing on does not stop with Plato’s search for eternal and unchangeable ideals, with the work of techné in repeating exactly and exclusively a formal model, or with rationalism’s search for clear and distinct knowledge of immutable natures by which all might be controlled. Rather, in the application of a tradition according to the radical distinctiveness of persons and their situations tradition continually is perfected and enriched. It manifests the sense of what is just and good which we have from our past by creating in original and distinctive ways more of what justice and goodness mean. J. Pelican said it well: "Tradition is the living faith of the dead, traditionalism is the dead faith of the living."

Further, if one takes time and culture seriously one must recognize that he or she is situated in a particular culture and at a particular time; hence all that can be seen from this vantage point constitutes one’s horizon. This would be lifeless and dead, determined rather than free, if one’s vantage point were to be fixed by its circumstances and closed. This points to the necessity of meeting other minds and hearts, not simply to add information incrementally, but in order that one might be challenged in one’s basic assumptions and enabled thereby to delve more deeply into one’s tradition and to draw forth more pervasive truth.

This hermeneutic mode of openness does not consist in surveying others objectively, obeying them in a slavish and unquestioning manner, or even in simply juxtaposing their ideas and traditions to our own. Rather, it is directed primarily to ourselves, for our ability to listen to others is correlatively our ability to assimilate the implications of their answers in order to delve more deeply into the meaning of our own traditions and draw out new and ever more rich insights. In other words, it is an acknowledgement that our cultural heritage has something new to say to us and that we are the ones who can enable it to speak.

Here hermeneutic, democratic and critical attitudes converge. The attitude is not one of methodological sureness which imposes its views, nor is it a mere readiness for new compromises or new techniques of social organization — for these are subject to manipulation on the horizontal level. Instead, it is readiness to draw out in open dialogue new meaning from a common tradition. Seen in these terms our heritage of culture and values is not closed or dead; rather, democratic interchange can enable life to remain ever new by becoming more inclusive and more rich.

PHILOSOPHICAL AND RELIGIOUS TRADITIONS AS PRINCIPLES OF PEACE AND COOPERATION

The previous sections have enabled us to locate the specific existential level of freedom at which we are able to create a culture and hence the origin, nature and content of a cultural tradition. We saw, as well, the essentially open and dialogic character of cultural progress. It remains now for us to look more closely at the open attitude toward other peoples and cultures to see whether this be a matter of self enhancement in order to dominate and control others or of love and concern for others within an integrating horizon and, indeed, an integrating reality?

Kant himself could say only that to be authentically human life had to be lived "as if" all is teleological. But then its exercise would be restricted to the confines of the human imagination; freedom would be not only self-determining but self-constituting and self-limited. In contrast, if the human spirit strives deeply to realize the life of persons then the transcendent principle it requires must be the most real in heaven and earth; if freedom presents us with a limitless range of possibilities, then its principle must be the Infinite and Eternal, the Source and Goal of all possibility. This Transcendent is the key to real liberation: it not only gives absolute grounding to one’s reality and certifies one’s right to be respected, but evokes the creative powers of one’s heart, frees them from the confines of one’s own slow, halting and even partial creative activity, and plunges them into infinite possibility and power.

This can be approached through the steps of phenomenological reflection on the person as gift. First, our self-identity and interpersonal relatedness are not made by us, but are givens with which we work. Second, if we reflect on the character of a gift we note that it has a radical character: to attempt to pay for it in cash or in kind would destroy its nature as gift. As gratuitous, a gift is based primarily in the freedom of the giver, not in the merit of the one who receives.

There is here striking symmetry with the ‘given’ in the sense of hypothesis or evidence in the line of hypothetical and evidential reasoning. This is not explained; rather it is that upon which explanation is founded. Here, there is also a first, as spontaneity which is not to be traced to another reality but upon which the reality of the gift is founded. This symmetry illumines what is distinctive of the gift, namely, that the act from which it is not traced back further, but is precisely free or gratuitous. Once again, our reflections lead us in the direction of that which is Self-sufficient, Absolute and Transcendent as the sole adequately gratuitous source of the gift of being.

Thirdly, as an absolute point of departure with its distinctive spontaneity and originality, the giving is non-reciprocal. To attempt to repay would be to destroy the gift as such. Indeed, there is no way in which this originating gratuity can be returned; we live in a graced condition. This appears in reflection upon one’s culture. What we received from the Bible, the Koran or Vedas, from a Confucius or an Aristotle can in no way be returned. Nor is this simply a problem of distance in time, for neither is it possible to repay the life we have received from our parents, the health received from a doctor, the wisdom from a teacher, or simply the good example which can come from any quarter at any time. The non-reciprocal character of our life is not merely that of part to whole; it is that of a gift to its source.17

In a certain parallel to the antinomies of Kant which show when reason has strayed beyond its bounds, many, from Plotinus to Leibniz and beyond, have sought knowledge, not only of the gift and its origin, but of why it had to be given. The more they succeeded the less room was left for freedom on the part of man as a given or gift. Others attempted to understand freedom as a fall, only to find that what was thus understood was bereft of value and meaning and a source of violence in human life and its cultures. Rather, the radical non-reciprocity of human freedom must be rooted in an equally radical generosity on the part of its origin. No reason, either on the part of the given or on the part of its origin, makes this gift necessary.

Fourthly, as the reflection of his derivation from a giving that is pure generosity the freedom of the human person is the very image of God. Freedom thus implies a correspondingly radical openness or generosity: the gift is not something which is and then receives, but is essentially gift. It was an essential facet of Plato’s response to the problems he had elaborated in the Parmenides that the multiple can exist only as participants of the good or one. Receiving is not something they do; it is what they are.18 As such they reflect at the core of their being not the violent self-seeking of the first level of freedom or the passive principles of the second level, but the open, active and creative reality of the generosity in which they originate.

The truth of this insight is confirmed from many directions. Latin American philosophies begin from the symbol of earth as the fruitful source of all (reflected in the Quechuan language of the Incas as the "Pacha Mama"). This is their preferred context for their sense of human life, its relations to physical nature, and the meeting of the two in technology.19 In this they are not without European counterparts. The classical project of Heidegger in its later phases shifted beyond the unconcealment of the being of things-in-time, to Being which makes the things manifest. The Dasein, structured in and as time, is able to provide Being a place of discovery among things,20 but it is being which maintains the initiative; its coming-to-pass or emission depends upon its own spontaneity and is for its sake. "Its `there’ (the da- of Dasein) only sustains the process and guards it," so that in the openness of concealed Being beings can appear un-concealed.21

The African spirit, especially in its great reverence for family, community and culture — whence one derives one’s life, one’s ability to interpret one’s world, and one’s capacity to respond — may be uniquely positioned to grasp this more fully. In contrast to Aristotle’s classical ‘wonder,’ these philosophers do not situate the person over against the object of his or her concern, reducing both to objects for detached study and manipulation. They look rather to the source from which reality is derived and are especially sensitive to its implications for the mode and manner of life as essentially open, communicative, generous and sharing.

Cultural Harmony and Creative Interchange

Seen in terms of gift, freedom at its third level has principles for peaceful cooperation, not only with one’s people whose well-being is in a sense my own, but with increasingly broader sectors, and potentially and in principle, with the whole of mankind. First, the good is not only what contributes to my perfection; being received, it is essentially out-going. The second principle is that of complementarity. As participants in the one, self-sufficient and purely spontaneous source, the many are not in principle antithetic or antipathetic one to another. Rather, as limited images they stand in a complementary relation to all other participants or images. This means that others and their cultures are to be respected simply because they too have been given or gifted by the one Transcendent source. This is the essential step which Gandhi, in calling outcasts "harijans," i.e., "children of God," urged us to take beyond the first sense of freedom which sees others only as contraries against whom we choose. Conversely, it means that as complementary we need each other.

Thirdly, as one does not first exist and then receive, but one’s very existence is a received existence or gift, to attempt to give back this gift, as in an exchange of presents, would be at once hopelessly too much and too little. On the one hand, to attempt to return in strict equivalence would be too much for it is our very self that we have received as gift. On the other hand, to think merely in terms of reciprocity would be to fall essentially short of my nature as one that is given, for to make a merely equivalent return would be to remain centered upon myself where I would cleverly entrap, and then entomb the creative power of being.

Rather, looking back I can see the futility of giving back, and in this find the fundamental importance of passing on the gift in the spirit in which it has been given. One’s freedom as given calls for a creative generosity which reflects that of one’s source. This requires breaking out of oneself as the only center of one’s concern. It means becoming effectively concerned with the good of other persons and other groups, and for the promotion and vital growth of the next generation and of those to follow.

Finally, that other cultures are quintessentially products of self-cultivation by other spirits as free and creative implies the need to open one’s horizons beyond one’s own self-concerns to the ambit or sphere of the freedom of others and what they freely would be and would become. This involves promoting the development of other free and creative centers and of the cultures they create — which, precisely as such, are not in one’s own possession or under one’s own control. One lives then no longer in terms merely of oneself or of things that one can make or manage, but in terms of an interchange between free men and people’s of different cultures. Personal responsibility is no longer merely individual decision making or for individual good. Effectively realized, the resulting interaction and mutual fecundation should reach out beyond oneself and one’s own culture to reflect ever more perfectly the glory of the one infinite and loving source and goal of all.22

Will this indeed eventuate? Can we overcome the violent conflicts which the recent emergence of a sense of self-identity appears to have engendered? To attempt to do so through suppressing freedom at this third level would destroy life as human. The history of the last half century consists in a studied and consistent rejection of such attempts at social engineering at the cost of freedom. The most recent history in Eastern Europe shows that even the most extreme attempts at forced socialization did not resolve problems of peaceful cooperation between peoples, but merely covered them over, isolated them from the requirements and achievements of human progress, and left them to reemerge in ever more intractable modes.

The alternative is to refuse to allow freedom to be reduced to its first level as an isometrics of violent conflict or to stop at the passive and universalist formalisms of the second level. Rather to be human is to take up the burden of freedom at its existential level and to search deeply into its source and nature for principles of unity and open cooperation. The truth of these principles will be manifest most of all in their call for ever more inclusive patterns of social equilibrium. The progress of cultures will consist in their genius in responding creatively to this call.

NOTES

1. Politics, I, 1, 1252a22.

2. Politics, III, 7.

3. Politics, III, 8.

4. Nichomachean Ethics, IX, 6, 1167b13.

5. Politics, I, 2, 1253a20-37.

6. John Mavone, "The Division of Parts of Society According to Plato and Aristotle", Philosophical Studies, 6 (1956), 113-122.

7. Locke, Essay Concerning Human Understanding, II, 1.

8. Mortimer J. Adler, The Idea of Freedom: A Dialectical Examination of the Conceptions of Freedom (Garden City, New York: Doubleday, 1958), p. 187.

9. Immanuel Kant, Critique of Judgment, trans. J.H. Bernard (New York: Hafner, 1968), pp. 205-339.

10. Ibid., pp. 37-200.

11. Immanuel Kant, Critique of Pure Reason, trans. N.K. Smith (London: Macmillan, 1929), A112, 121, 192-193. Donald W. Crawford, Kant’s Aesthetic Theory (Madison: University of Wisconsin, 1974), pp. 83-84, 87-90.

12. See Kant’s development and solution to the problem of the autonomy of taste, Critique of Judgment, nn. 57-58, pp. 182-192, where he treats the need for a concept; Crawford, pp. 63-66.

13. See the chapter by Wilhelm S. Wurzer "On the Art of Moral Imagination" in G. McLean, ed., Moral Imagination and Character Development (Washington: The Council for Research in Values and Philosophy, in preparation) for an elaboration of the essential notions of the beautiful, the sublime and taste in Kant’s aesthetic theory.

14. Immanuel Kant, First Introduction to the Critique of Judgment, trans. J. Haden (New York: Bobbs-Merrill, 1965).

15. William James, Pragmatism (New York: Washington Square, 1963), Ch. I, pp. 3-40. For notes on the critical hermeneutics of J. Habermas see G. McLean, "Cultural Heritage, Social Critique and Future Construction" in Culture, Human Rights and Peace in Central America, R. Molina, T. Readdy and G. McLean, eds. (Washington: Council for Research in Values, 1988), Ch. I.

16. Ramayana (Bombay: Bharatiya Vidya Bhavan, 1976), p. 312.

17. Schmitz, pp. 44-56.

18. R. E. Allen, "Participation and Predication in Plato’s Middle Dialogues" in his Studies in Plato’s Metaphysics (London: Routledge, Keegan Paul, 1965), pp. 43-60.

19. Juan Carlos Scannone, "Ein neuer Ansatz in der Philosophie Lateinamerikas," Philosophisches Jahrbuch, 89 (1982), 99-116 and "La Racionalidad Cientifico-Technologica y la Racionalidad Sapiencial de la Cultura Latino Americana," Stromata (1982), 155-164.

20. William J. Richardson, Heidegger: Through Phenomenology to Thought (The Hague: Nijhoff, 1967), pp. 532-535.

21. Joseph Kockelmans, "Thanksgiving: The Completion of Thought," in Manfred S. Frings, ed., Heidegger and the Quest for Truth (Chicago: Quadrangle Books, 1968), pp. 175-179.

22. Schmitz, 84-86.